Eitherway, the designs show a unique style characteristic of this mangaka, but tend to inevitably resemble characters from his other titles (Ah My Goddess!).Īs mentioned, You're Under Arrest tries to showcase the human drama of police officers and their daily relationships. Although only 4 episodes, you get a flare for the cast's own personalities, which are very distinct to the point of perhaps being stereotypical. The story revolves around a partner relationship so you should expect a lot of time dedicated to the two leads. The dub version is well directed despite some dialogue adaptation. Do not expect to see/hear any firearms - disappointing, seeing as this is a police anime. The soundtrack is mellow most of the time, but with a gripping 'suspense/action' theme used during the chase sequences, you soon find your own heart beating with expectation! In terms of effects, this is mostly focused on traffic/vehical related sounds (drifts, revs, gear changes etc.). It was an obvious match for his love of cars and anime that brought us this series. Fujishima Kousuke being an avid motorsports enthusiast, made sure that You're UnderĪrrest featured excellent animated footage of cars, motorbikes and other mechanicals. The backgrounds are also of high detail and do not have that colour tone difference otherwise common to most televised series. However, this review will assess it's performance as a stand-alone.Īs expected from an OVA the animation quality is superb with great detail taken in facial expression and general movement fluidity.
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Aired as an OVA, this later came to be the first 4 episodes of the TV series bearing the same name. The BBS was started using RBBS software, a single phone line with 2400 baud modem and a shareware CD.Īdditional donations of CD-ROMs have come from Erik Pederson, Peter Simpson, Chuck Gilbert, Koos van den Hout, MCbx, Jason Scott, Tim Hazel, and others.You're Under Arrest follows the happenings of a police station and in particular those officers of the Traffic division. The system used a Harris 286 CPU operating at 20MHZ, two 65 Megabit Seagate RLL hard drives and a Dennon CD player that used a "cart" to hold the CD. Eventually, as operating systems like Linux and FreeBSD became more widely available, CDs were perfect distribution mechanisms for the very large libraries and file collections associated with them.Ī number of the initial CD images for this collection came courtesy of the CD BBS of Twin Falls, Idaho, operated by Mark Fugitt (sysop) and Mike Laybourn (remote sysop). Additionally, the advent of an internet open to the general public heralded massive collected sets of files which CD makers happily mirrored and made available to the BBS market. While many of the CDs contain shareware programs, a number branched into music, graphics, animations and movies. For this market, CD makers would declare their CDs "BBS Ready", meaning an easily-readable directory of file descriptions was located on the CDs to be read by the BBS software. Some computer bulletin board services would attach banks of CD-ROM drives to their machines to allow users to access the discs, allowing the system operators (SysOps) to claim the BBS had thousands of files available.
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As a result, many otherwise-lost pieces of computer history were gathered up in the trawling nets of these individuals and companies and were preserved for future generations. As material "ran out", that is, as sellers of these CDs found they were unable to easily find shareware programs and files, the hunt began to track down every last file and item that could make the quarterly or monthly quota.
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Initially containing less than the full capacity of the discs (600mb, later 700mb) these items eventually began brimming with any sort of computer data that could be packaged and sold. One of the most historically important artifacts to come from the home computer telecommunications revolution was shareware CDs, compact discs put out by companies containing hundreds of megabytes of shareware.